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Suspense Mounting

Everything you need for RDMS and more

naku english radu nene nee book chadavaledu nanau khaminchan

An Excellent Resource for Seminaries and Congregations!

Valley of the Shadow's content is incredibly rich!

Beautiful account of how a pagan warrior culture was changedThe Viking invasions of England extended over more than 200 years, provoking generations of despair and fear among the English people. The fragility of their Christian civilization and culture was exposed as it repeatedly hung by a thread in the face of great brutality. This inspired agonized examinations of why God would allow such things to be done to his people.
Yet with a dogged and determined faith, the end result was the uniting of England and the conversion of the Viking conquerors to Christianity, along with all of Scandinavia. Barely remembered acts of courage and faith (and no few unremembered ones) made England (thus the world) what it is.
How a savage and materialistic people such as the Vikings came to be monks, missionaries and church builders when exposed to the Christians they conquered is the subject of this book.
The volume differs from others (or at least the 2 I have read) on the Viking period in that it focuses on how the two peoples understood the world. It is this understanding that shapes historical events. Thus, one learns more about those years in the first 30 pages of this book than in all of Gwyn Jones classic "A History of the Vikings".
For example, where Jones might describe Viking family histories with "... the superstructure is often shaped by arbitrary assumptions on the nature of history itself" (very illuminating, no?), Cavill instead focuses on the role of ideas: how people understood what was happening to them and their nation in a context defined by their Christian faith.
Perhaps the majority of modern historians, being secular, lack the inclinationto pursue this line of study, or more probably the discernment to see it as important, but faith appears in sermons of the time, the lives of saints, in seemingly secular accounts of battles, in the prose of chronicles and in other sources shaped by a Christianity deeply shocked by the Viking violation. Virtually every expression from that time revolves around fear of the Vikings and its intersection with Christian faith. To instead focus on descriptions of grave contents or speculate about variations in layout of Viking villages is to drain history of what's important.
Thus, I was excited to read this volume by about page 4 of the introduction, as I think others will be, in that it illuminates what happened to the Vikings. It seems to me such knowledge is relevant to the present.
Let the lament of monks evacuating to Ireland as the world crumbled around them, only to have their hand-made gospel book washed overboard in a raging storm, speak across the centuries:
'What shall we do?', they said. 'Where shall we go carrying the relics of the father? For seven years we have travelled across the entire province fleeing from the barbarians, and there is no place of refuge left in the entire country ... In addition to all this we are weighed down by a cruel hunger which forces us to seek relief for our lives, but the sword of the Danes ravaging everywhere will not allow us to travel with this treasure. But if we abandon it, and look after ourselves, what shall we answer Cuthbert's people when they afterward ask us where their pastor and patron is?'
"Vikings: Fear and Faith" looks at a large number of literary sources, recognizing even possible exagerrations (ship counts, etc.) can provide information as to what people were thinking. It considers King Alfred and King Canut as well as other people and institutions. The book has 100 pages of appendices containing original texts translated by the author:
1. The Treaty of Alfred and Guthrum
2. The Battle of Brunanburh
3. The Charter of St. Frideswide's Monastery, Oxford
4. The Loss and Recovery of the Lindisfarne Gospels
5. Archbishop Wulfstan's Address to the English
6. A Letter from Boniface and the Anglo-Saxin Mission in Germany to King Aethelbald of Mercia
7. Swedish Rune-Stones
8. King Alfred's Dedicatory Letter to his Translation of Gregory's Pastoral Care
9. Cynewuld and Cyneheard
10. The Voyage of Ohthere
11. The Voyage of Wulfstan
12. The Battle of Maldon
13. Wyrdwriteras
14. Aethelwold Ousts the Clerics from the Old Minster
15. The Blacksmith's
16. Bede's Concerns About False Monasteries
17. The Old English Beatitudes
18. A Prayer of Confession
19. The Martyrdom of Aelfheah
20. Aelfric's Life of St. Oswald
21. The Martrydom of King Edmund
22. Selections from Abbo's Account of St. Edmund
23. Roger of Wendover's Version of the St. Edmund Legend
24. Lines from the Dream of the Rood


"Behind their bright splendours...darker and older forms..."place for anyone interested in Melville's knowledge of
and use of mythology. That said, it should also be said
that it should be used with caution. Franklin is determined
to focus each of the major works within the framework
of a particular mythic structure...which he believes
he discerns by the various multiple allusions and images
to be found in the work. Perhaps he has the correct
grasp, perhaps he doesn't. But the questing thinker should
at least know where Franklin is going, and the maps he
plans to use to guide the traveler along the way.
The title of this review suggests a good alternative
text which one could have beside one, to counter-balance
Franklin's more "civilized" approach to mythology -- and
that is a work which alerts us to the fact that in
dealing with mythology (even the glorious mythology of
the Greeks) we should not forget its ancient, more
primitive roots and how they survive in the later
myths--that work is Jane Ellen Harrison's _Prolegomena
to the Study of Greek Religion_ -1903-, modern
reprinting by Princeton Univ. Press, 1991, Mythos Books.
Franklin, in his "Acknowledgments" (this book was
first published in 1963) says that previous scholars
and their works had already dealt with certain aspects
of mythology and it associations with their study of
Melville's works--Henry Murray's editorship of a
_Pierre_; Walter Bezanson's editorship of _Clarel_;
Howard Horsford's editorship of _Journal of a Visit
to Europe and the Levant_, and "most important,
Howard Vincent and Luther Mansfield's _Moby-Dick_"
(all of these particular editions--except Horsford--
had been published by Hendricks House, and are
excellent not only for their "Introductions" but
also for their copious "Explanatory Notes" in the back).
To give the potential reader and/or buyer of this
work an idea of Franklin's views, the titles of his
chapters are: Melville and the Gods; Mardi--A Study
of Myths and Mythmaking; Moby-Dick--An Egyptian Myth
Incarnate [what about the fact that Vishnu is cited
as the grand-master of all whalers in _Moby-Dick_,
oops!]; Pierre--The Petrification of Myth; Worldly
Safety and Other-Worldly Saviors---Bartleby, The
Ascetic's Advent,--Benito Cereno, The Ascetic's
Agony,--The Ascetics' Allegorical Masquerade;
The Confidence-Man--The Destroyer's Eastern
Masquerade; Billy Budd; or, Bili-Budd--The Last
Avatar; and The Wake of the Gods.
Franklin lays down an interesting purple carpet
for us to enter the palace upon (as long as we
keep looking all round us...and especially watch
our backs, and don't climb in any cauldrons or
tubs to bathe!): "Since all myth is by definition
fictional[hmm...is it? what about the historical
or ritual elements it may be covering up or
transmuting?], no one should be surprised to find
that literary fiction is mythic. Literary fiction
does essentially the same thing as primitive mythic
fiction: both tell made-up stories [you know he
is going to irritate me, if he keeps this up!]about
the human and natural worlds and both implicitly assign
a high order of truth to those made-up stories." ...
[He goes on to say that the myths we have, come to
us from "higly developed civilizations" (the very
Romantic idealist fallacy --not Classical idealist!--
that Jane Harrison so brilliantly and tellingly
disputes in her _Prolegomena_).]
Franklin goes on: "This study, rather than tracing
Melville's knowledge of mythology, tries to show how
Melville consciously used myths, mythology, comparative
mythology, and mythological theories in his major
works --Mardi, Moby-Dick, Piere, Bartleby, Benito
Cereno, The Confidence-Man, and Billy Budd. My
central thesis is that Melville's mythology determines
and defines large parts of the structure and meaning
of these works." (p. ix). Franklin also examines the
use of or Melville's deflection of "Christian myth," and
cites such previous examinations of this aspect as
William Braswell's _Melville's Religious Thought_;
Nathalia Wright's _Melville's Use of the Bible_.
The final EXCELLENT feature of this work is the fact
that Franklin has compiled "A Selected Index of
Non-Judaic-Christian Gods, Myths, and Religions in
Melville's Works" in which the gods, goddesses, spirits,
or terms ["Polynesian religion", for example] are
listed in alphabetical order, and the works [plus
page numbers or chapter numbers] where the term is
found in the work are also listed. This is in the
back of the volume.
* * * * * * * * *


A Great study of the Christian Peace position/history....

Excellent Textbook, Lacks Global Perspective

Watcher/Watched
Watchers at the Pond